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亚博提款出款效率_德云社的“大实话”

Deyun's variety show "Deyun Douxiaoshe" is being broadcast, and Deyun's small theater is finally "out of the box". In the past two years, the actors of Deyun Club have become popular. They have broken the limitations of some traditional comedians' image and style. With the help of the super communication power in the short video era, a large number of "Deyun girls" flocked to perform. Hard to find.

德云的综艺节目《德云斗小社》正在播出,德云的小剧院终于“开箱即用”。在过去的两年中,德运俱乐部的演员广受欢迎。他们打破了一些传统喜剧演员形象和风格的限制。在短片时代,凭借超强的交流能力,大量的“德运女孩”蜂拥而至。很难找到。

Young audiences regard cross talk as a new generation of "trends", while older generations of audiences feel that cross talk performances are gradually losing its original flavor. In the polarized commentary, it is these cross talk actors who are still pushed to the fore. . They are also going through a "period of confusion" driven by the times. More and more idols are brought to the stage of cross talk, forcing them to make continuous changes, but in any case, being able to amuse the audience is always their first priority. One important task, even if this change is uncomfortable for them.

年轻的观众将相声视为新一代的“趋势”,而老一辈的观众则认为相声表演正在逐渐失去其原始风格。在两极分化的评论中,正是这些相声演员仍然被推到了前台。 。他们还经历了时代驱动的“混乱时期”。越来越多的偶像进入相声阶段,迫使他们不断进行改变,但是无论如何,能够使听众开心始终是他们的首要任务。一项重要任务,即使此更改对他们来说也不舒服。

"The Truth" in the title is written by Zhang Wenshun, the founder of Deyun Society. As a social song of Deyun Society, it will appear after every performance. This group of portraits was borrowed as the title, in order to hear what kind of truth these comedians want to say in the face of the moment.

标题中的“真相”是德运会的创始人张文顺写的。作为德运会的社交歌曲,每次演出后都会出现。借用这组肖像作为标题,是为了听听这些喜剧演员想面对的现实。

Deyun Club talks about cross talk, the ability to eat, what it does is business, and what it sells is tickets.

Deyun Club谈论相声,进餐能力,做生意,售票。

The cross talk industry is like a late-night snack stall. Some of the children sell skewers, some cook instant noodles, and some cold beer. When the audience comes, they have to eat bowls of rice regardless of what they eat. There is nothing too inscrutable about it, such as language arts, etc. It cannot be said too magically. The audience comes in for fun. You make it as difficult as a math problem. Who will come to see you? But you have to respect cross talk, because this thing is too powerful. It can support generations of people for hundreds of years. It should not be underestimated, but it should not be overstated.

串扰行业就像一个深夜小吃摊。一些孩子卖串烧,一些煮方便面,和一些冰镇啤酒。观众来时,无论吃什么,他们都必须吃一碗饭。没有什么太不可理解的了,例如语言艺术等。这不能说得太神奇了。观众很有趣。您将其与数学问题一样困难。谁来找你?但是您必须尊重相声,因为这个功能太强大了。它可以支持几代人数百年。它不应被低估,但不应高估。

At the same time, cross talk is also a very tolerant industry. We have Yue Yunpeng and Qin Xiaoxian who are sought after by tens of thousands of people. We also have the peak of cross talk, Luan Yunping, which is like a table of delicious but shabby cucumbers and carrot carvings. The dragon and the white radish carving clouds are still smoking but the dishes have no taste, no matter what. Because once in the theater, there are still a small number of people who can listen to "Burial Flower Ci", or niche art. If we continue to sing "Burial Flower Ci", Deyun Club will not be where it is today. To

同时,串扰也是一个非常宽容的行业。岳云鹏和秦小贤受到成千上万人的追捧。相声的高峰是栾云萍,就像一桌美味却破旧的黄瓜和胡萝卜雕刻。龙和白萝卜雕刻的云仍在抽烟,但无论如何它们都没有味道。因为一旦进入剧院,仍然只有少数人可以收听“埋葬花词”或小生境艺术。如果我们继续唱《埋葬花词》,德运俱乐部将不再是今天。至

Now those young people on the stage talk about cross talk, I really don’t look at it very much, because before the time, I don’t know how to talk about cross talk. Entering the cross talk industry is like pickles in a saucepan, one or two years, don’t you? It must be a long process to come out. Through your own exercises and the influence of the environment, you will slowly form your own style. It is still too early. Like Zhang Jiuling, who is about 9 years old, he has been at Deyun Club for more than 10 years. I haven’t officially talked to him about his problems. It’s too early. Maybe he doesn’t understand when I talk about it. It’s exhausting me. I'm so angry that I can't commit.

现在那些在舞台上的年轻人谈论相声,我真的不是很在意,因为在此之前,我不知道如何谈论相声。进入相声行业就像在锅中泡菜,一两年,不是吗?出来肯定是一个漫长的过程。通过自己的锻炼和环境的影响,您将逐渐形成自己的风格。还为时过早。就像9岁左右的张九龄一样,他在德运俱乐部工作了10多年。关于他的问题,我还没有与他正式谈过。太早了。当我谈论它时,也许他听不懂。我好累我很生气,无法承诺。

My reason is that thunder, rain and dew are all graces. Whether you can hold onto and stabilize this bowl of rice is all your own good fortune.

我的理由是,雷声,雨水和露水都是优雅的。您是否可以坚持并稳定这碗米饭都是您自己的好运。

Traditional cross talk is the cross talk you heard more than a hundred years ago. If this cross talk is not changed, it will definitely be eliminated now. It must have undergone countless changes by countless people in the past hundred years before it can be Current performers get to perform on stage. It can only be said that we will retain its inherent logic and play methods, and add a lot of things that belong to the current performers. Such works can only be accepted on stage, so there is no pure traditional cross talk, unless it is a special intangible cultural heritage.

传统相声是您一百多年前听到的相声。如果这种串扰不改变,那么现在肯定会消除。在过去的一百年里,它一定经历了无数人的无数次改变,才可以成为当前的表演者在舞台上表演。只能说,我们将保留其固有的逻辑和播放方法,并添加许多属于当前表演者的东西。这样的作品只能在舞台上接受,因此除非有特殊的非物质文化遗产,否则就没有纯粹的传统相声。

I remember a female comedian in the UK said: "People always laugh at me, so I thought, let's charge a little fee." This is a very real and very sad sentence.

我记得英国的一位女喜剧演员说:“人们总是嘲笑我,所以我想,让我们收取一些费用。”这是一个非常真实和非常可悲的句子。

Maybe I am a sad person. I have a lot of concerns in the creation of cross talk, including comedy. I think that as long as someone laughs, someone will be hurt. It's like the happier I get with my partner Sun on stage, the big guys are not happy, but the more Sun gets hurt a bit. He is using his injured money to make money to support his family. You go to listen to the cross talk of Master Hou. The characters in him are not enough IQ to cause a certain burden, but if you think about it carefully, this is a story about mental retardation, and his core is very sad.

也许我是一个悲伤的人。在串扰的创建中,我有很多担忧,包括喜剧。我认为只要有人笑,就会有人受伤。这就像我和搭档Sun在舞台上得到的快乐,大家伙并不高兴,但是Sun受到的伤害更多。他正在用自己受伤的钱来赚钱养家。你去听侯师傅的相声。他的角色智商不足以造成一定的负担,但如果仔细考虑,这是一个有关智力低下的故事,他的核心感到非常难过。

And now it’s getting harder and harder for creation. I wrote a work similar to "Human and Ghost Love Is Not Ending" last year. It probably talked about Sun Yue’s father coming back to him one day after his death, and the prices over there are too expensive. , A bowl of ramen is 1.8 billion. I hope Sun Yue can burn more paper money for him, and let Sun Yue burn him a mobile phone, and he must pay attention to the details and burn a charger. Both of us were very excited after the creation, but it was a pity that we never played on stage for some reasons.

现在,创建变得越来越困难。去年,我写了一部类似于《人类与鬼魂的爱情没有尽头》的作品。大概是关于孙悦父亲去世后一天回来的消息,那里的价格太贵了。一碗拉面是18亿。我希望孙悦可以为他烧掉更多的纸币,让孙悦为他燃烧一部手机,他必须注意细节并燃烧充电器。创作后,我们俩都很兴奋,但是很遗憾,由于某些原因,我们从未在舞台上演出过。

Although I often appear on variety shows recently, my heart still belongs to cross talk. Variety shows are more to support their families and people always have to eat. I have not stopped the creation of cross talk. Due to the epidemic, Deyun Club has sealed the box for 7 months. The audience is waiting to open the box. The expectation has reached a maximum value. I just want to tell everyone who is in the epidemic. During the period, I have been working hard. There are nearly 200 actors in the backstage. Who can really come up with something? After all, creating this thing is the most basic thing a crosstalk actor should do.

尽管最近我经常出现在综艺节目中,但我的内心仍然属于相声。综艺节目更多地是为了养家糊口,人们总是不得不吃饭。我还没有停止创建相声。由于这一流行病,德运俱乐部已将盒子密封了七个月。观众正在等待打开盒子。期望值已达到最大值。我只想告诉每个流行病患者。在此期间,我一直在努力。后台有将近200名演员。谁能真正提出一些建议?毕竟,创建这个东西是串扰演员应该做的最亚博提款出款效率基本的事情。

I used to be competitive, and I always felt that other people didn't say so well, so how could I be better than me? Later, I gradually realized that if someone is no better than you and is not as good as you, but he is liked by many people, then he is better than you, that is his strength, and he is shining.

我曾经具有竞争力,我一直觉得别人说的不好,那么我怎么能比我更好呢?后来,我逐渐意识到,如果某人不比你好,不如你好,但是很多人喜欢他,那他就比你好,这就是他的力量,而且他很闪亮。

I’m a relatively straightforward person, maybe Deyun Club has become popular, and we have gradually gained a lot of fans with us crosstalk actors, but this state of "exposure" is actually quite uncomfortable. I don’t know what’s wrong. The audience seems to be right. I am more interested in my life than in my cross talk. The audience also prefers a lip service and a weird attitude during the performance. In fact, it is quite helpless and can only learn to accept. It is true that Guo Degang is my uncle. This can become a stalk and a burden, but I am particularly taboo to talk about it on the open.

我是一个相对直率的人,也许Deyun Club变得流行了,并且我们逐渐吸引了许多串扰演员,但这种“曝光”状态实际上令人非常不适。我不知道怎么了听众似乎是对的。我对自己的生活比对相声更感兴趣。观众在表演期间也喜欢口头表达和怪异的态度。实际上,这是很无奈的,只能学会接受。郭德纲是我的叔叔。这可能会成为障碍和负担,但是我特别忌讳在公开场合谈论它。

What everyone said is correct. I just don’t have a solid basic skills. You can’t lie. After all, a mouth on the stage reflects that the audience sees better than anyone else, and is "lucky" to be pushed to such a position. I didn't expect it at all. The most terrifying thing behind our reputation is that your unskilled business will be magnified. You can’t do it like before. This one is not well said, it doesn’t matter. We have the next one, we will slowly grind this year. No, next year, the small theater will have such a mechanism for the growth of cross talk actors. Once it is polished, it will naturally be seen by the audience. But now you are the other way around, which has resulted in me having to present the best state and work to everyone in every scene, which is particularly difficult for me now.

每个人的说法都是正确的。我只是没有扎实的基本技能。你不能撒谎。毕竟,舞台上的嘴巴反映出观众的观感比其他任何人都好,并且“幸运”地被推到了这样的位置。我完全没想到。我们声誉背后最可怕的事情是,您的非熟练业务将被放大。您无法像以前那样做。这个不好说,没关系。我们有下一个,今年我们将慢慢磨。不,明年,小剧院将具有这样一种机制,促进串扰演员的成长。抛光后,观众自然会看到它。但是现在您正处于另一种状态,这导致我不得不呈现最佳状态并在每个场景中为每个人工作,这对我而言尤其困难。

And the most embarrassing problem right now is that everyone likes to upload videos to the Internet. What they do is not the most essential part of my performance, but some sudden and funny on-site reactions. This is not something that will happen in every scene. We It's impossible to put it into the cross talk just to find such a "accident", but the whole cross talk is not watched. I also tried to say only the words in my cross talk for a week, and I didn’t react to anything that happened on the court. That week I looked like a dead person, and Qin Xiaoxian disappeared from the Internet. At that time, I knew that everyone It's all for this, so why should I talk about cross talk? It's a bit helpless.

现在最尴尬的问题是每个人都喜欢将视频上传到Internet。他们所做的不是我的表演中最重要的部分,而是一些突然而有趣的现场反应。这并不是在每个场景中都会发生。我们不可能为了发现这样的“事故”而将其放入相声中,但是整个相声却未被关注。我还试图在一个星期的谈话中只说几句话,但我对球场上发生的任何事情都没有反应。那个星期,我看上去像个死人,秦小贤从互联网上消失了。那时,我知道每个人都是为了这个,所以我为什么要谈论相声呢?这有点无奈。

I have already run four, and there are so many young comedians coming out from behind. Sometimes I am struggling and struggling. Shouldn't they try something that is too avant-garde? It's not that I can't, I just don't think it is appropriate. It's like I can't dance "857857" on stage to cater to young people. But I am very afraid that I will really become an old-school comedian. My heart is still very young and full of vigor.

我已经跑了四个,而且有很多年轻的喜剧演员从后面出来。有时我在挣扎和挣扎。他们不应该尝试一些过于前卫的东西吗?不是我不能,我只是认为不合适。就像我不能在舞台上跳舞以迎合年轻人一样。但是我很害怕自己会真正成为老派喜剧演员。我的心还很年轻,充满活力。

One time a girl in the audience called me "Uncle". I felt very horrified at the time. Then I thought, these little girls came to listen to the cross talk at the age of 18. My father and I are about the same age, so I can't call me uncle! Sometimes I think that I was so desperate back then, how suddenly I became a middle-aged cross talk actor, a little trance, but I must admit that my youth is over.

有一次,观众中的一个女孩叫我“叔叔”。当时我感到非常恐惧。然后我想,这些小女孩在18岁时就开始听相声了。我和我父亲的年龄差不多,所以我不能称呼我叔叔!有时候我觉得我当时非常绝望,突然间我变成了中年相声演员,有点tr,但是我必须承认我的青春已经过去了。

A fan on Weibo commented to me before: "Hahahaha, you are so funny, you have to laugh off your head." When I thought about it, my head laughed off, and there was no head at all. Then I can't be a guillotine? I was on the stage and told the matter in a half-burdened and half-narrative way. The result was very unexpected and everyone in the audience was laughing crazy. That was the first time I felt that cross talk was so happy.

新浪微博上的一位粉丝之前对我说过:“哈哈哈哈,你真有趣,你必须低下头。”当我想到它时,我的头笑了起来,根本没有头。那我不能做断头台吗?我当时在舞台上,用一种不负责任的叙述方式讲了这件事。结果非常出乎意料,观众中的每个人都在疯狂地笑。那是我第一次感到相声很开心。

I only talked about cross talk after graduating from university. There is still a gap between those who have been in front of Master since I was a child. In order to find my own way, I can only keep throwing myself on the stage and in the theater for polishing. In 2018, I performed more than 400 performances. During this period, I slowly discovered that some audiences like to listen to me sing duo, imitating some brothers and sisters, and slowly incorporate it into my own works, but I have never studied systematically. After these, it may be the gene blessing of the Northeast people, or it may be the talent.

我大学毕业后才谈论相声。自从我还是个孩子以来就一直在师父面前的人之间仍然存在差距。为了找到自己的方式,我只能不断地将自己投入舞台和剧院进行抛光。在2018年,我演出了400多场表演。在此期间,我慢慢发现有些听众喜欢听我唱歌二重奏,模仿一些兄弟姐妹,然后慢慢地将其融入自己的作品中,但是我从来没有系统地学习过。在此之后,这可能是东北人民的基因福祉,或者是人才。

Listening to the previous cross talk is also part of the creation. Like the cross talk of the master teacher Hou Yaowen in the 1980s, it is a new work that is relative to the special traditional cross talk, and it is also created in conjunction with the popular 80s. What we learn is a treatment of the program , Character relationship, character portrayal, burden and structure, these are frameworks, which will not change, and are the most essential things. They can be applied at any time. Using this framework to cover things 20 years later will make people laugh. Sound.

聆听以前的相声也是创作的一部分。就像1980年代大师级侯耀文的相声一样,这是与特殊的传统相声有关的新作品,并且是与80年代流行的作品共同创作的。我们所学的是对程序的处理,角色关系,角色刻画,负担和结构,这些都是框架,不会改变,并且是最基本的东西。它们可以随时应用。使用这个框架来掩盖20年后的事情会使人们发笑。声音。

Maybe you feel uncomfortable listening to my cross talk, but I know which direction to go is humorous, which direction is funny, cross talk is not funny, it is not making a grimace, take your stool off and throw your head and the audience will be happy. Cross talk amuses you through the language environment and language structure. How many people are willing to sit down and listen to this? They are all taking pictures with their cameras, shouting that you are so handsome. This is not a cross talk. Of course I don't have the right to tell the audience. It's like I'm selling melon seeds. Others spend money on my melon seeds. I don't care if they give it away, throw it away, or keep it for myself. I just don't recognize that some cross talk actors have this kind of pursuit. You have to learn to talk and sing before you can beautify your face, right?

也许您在听我的相声时会感到不舒服,但是我知道走哪个方向很幽默,哪个方向很有趣,相声不好笑,这不是在做鬼脸,把凳子脱下来扔掉头,然后听众会要开心。相声使您在语言环境和语言结构方面感到很有趣。有多少人愿意坐下来听呢?他们都用相机拍照,大喊你很帅。这不是相声。当然,我无权告诉听众。就像我在卖瓜子一样。其他人花钱买我的瓜子。我不在乎他们是否将其赠予,丢弃,还是自己保留。我只是不认识某些相声演员有这种追求。您必须学会说话和唱歌才能美化自己的脸,对吗?

Traditional cross talk is not outdated, just like keeping it in the water of more than 80 degrees Celsius, keeping it warm. There will always be a day when traffic stars can't bring goods, but the radio will continue to broadcast cross talks between Mr. Hou Baolin and Mr. Liu Baorui, because humorous things are popular and everyone can listen to them. Traffic is not something that everyone can do. There will always be the day when the cry is tired.

传统的串扰并不会过时,就像将其保持在摄氏80度以上的水中以使其温暖一样。总会有一天,交通明星无法运送货物,但广播电台将继续播放侯宝林先生和刘宝瑞先生之间的相声,因为幽默的事情很流行,每个人都可以听。交通并不是每个人都能做到的。总会有一天哭泣很累。

Cross talk is an art. The more you are art, the more you have to listen to the basics. A short passage is not enough. For example, look at the big lantern from a distance, and look at the big lantern close up. The lantern is a lantern and the whole body is full of holes. It should be followed by It's a dog from a distance, and a dog from a distance, hitting it and not going, cursing it not to go, just pull it away. You have to say everything. This is called art. If you miss a sentence or say what you want, it is called chat.

相声是一门艺术。您越是艺术,就越需要聆听基础知识。短短的段落是不够的。例如,从远处看大灯笼,然后近距离看大灯笼。灯笼是灯笼,整个身体到处都是孔。它后面应该是远处的狗,远处的狗,不停地敲打它,诅咒它不走,只是把它拉开。你必须说一切。这就是所谓的艺术。如果您错过一句话或说出自己想要的内容,则称为聊天。

I sometimes advise these young people around me not to hide behind because they feel that their business abilities are not good. There are so many kinds of cross talk. You are still young and you can learn slowly, but you must move forward and show your face. You must be able to appreciate the fun of talking about cross talk in the audience's reaction, otherwise how can you persist? Maybe I am a worried person. I like to take others with me wherever I go on the show, with Jiu Xi and Qin Xiaoxian, provided they need it. I think that to give young actors a chance, maybe this is a double-edged sword. Now fans are more willing to be attracted by your looks. This should strengthen your determination to create good works. No one can stay young forever, sooner or later. Someone younger than you will come up. If you don't want to be a gust of wind, you should know what to do. ,

我有时建议我周围的这些年轻人不要躲藏,因为他们觉得自己的业务能力不强。串扰的种类很多。您还很年轻,可以慢慢学习,但是您必须前进并露面。您必须能够体会到在观众的反应中谈论相声的乐趣,否则您将如何坚持下去?也许我是一个担心的人。无论何时去演出,我都喜欢与其他人一起,只要他们需要的话,就与九夕和秦小贤一起去。我认为,给年轻演员一个机会,也许这是一把双刃剑。现在,粉丝们更愿意被您的容貌所吸引。这应该加强您创作优秀作品的决心。没有人可以永远永远年轻。比您年轻的人会出现。如果您不想成为狂风,您应该知道该怎么做。 ,

 

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